Notes on Heartbreak: From Vogue’s Dating Columnist, the must-read book on love and letting go

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Notes on Heartbreak: From Vogue’s Dating Columnist, the must-read book on love and letting go

Notes on Heartbreak: From Vogue’s Dating Columnist, the must-read book on love and letting go

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Notes on Heartbreak is her most exposing work yet and I am keen to learn about how a young writer, who has effectively turned her love life into her career, found the experience of offering up something as confusing, devastating and unedifying as heartbreak for public consumption. Annie Lord: I think, at that point, all I could think about was the breakup. I write in the book about how distraction from a breakup doesn’t help at all. You just end up feeling like you’re thinking about it even more. So I could only write about the breakup, basically. Writing about it really helped because it felt like I was still sitting in bed crying all day, but now it was also work. It wasn’t something I consciously thought about like, ‘I will be open about this and help people.’ But I was really surprised when loads of people were enjoying it. Because I guess when you’re in a breakup, you always think whatever you’re going through is so unique and romantic and special and different. It was nice because everyone was saying, ‘oh my god, I felt exactly the same!’ but it was also frustrating: I was thinking, ‘did you [feel the same]? Because I think I was feeling it more!’ verifyErrors }}{{ message }}{{ /verifyErrors }}{{

This stunning exploration of love and heartbreak from cult journalist and Vogue columnist Annie Lord, is so much more than a book about one singular break-up. It is an unflinchingly honest account of the simultaneous joy and pain of being in love that will resonate with anyone who has ever nursed a broken heart. Biological anthropologist Helen Fisher studied people who had been dumped and found the parts of the brain activated were those associated with addiction. A person rejected feels the same kinds of pain and craving they might with drugs and alcohol – they go through withdrawal and they can relapse, too, many months later, a midnight phone call, a stone at a window. “All of this helped me realise what I was feeling was justified. That I was going through something clinically awful.” The idea for the book and the Vogue column both came from a viral essay you wrote about your breakup in the immediate aftermath. Why did you decide to write that at the time? Some white blood cells monitor our moods, via our nervous system, and can listen out for heartbreak and loneliness, which in turn increases inflammation Corners of the brain that cause and respond to addiction can be activated by images or reminders of ex partnersHeterosexual women often have a cultural script to follow about breakups – one your book perhaps contributes to – where it’s like men instigate them either directly or by bad behaviour and then women process them – often with other women – and gradually recover a sense of lost agency. Do you think it’s easier, in some ways, for women to deal with breakups than men? Because there is almost like an archetype for what we’re supposed to think and feel and the process that we’re supposed to go through? Reeling from a broken heart, Annie Lord revisits the past – from the moment she first fell in love, the shared in-jokes and intertwining of a long-term relationship, to the months that saw the slow erosion of a bond five years in the making. There have been hundreds of studies into the beginnings of love, but why has it taken so long for scientists to investigate its end, this “clinically awful” state? “Science has become more sophisticated at looking at transcription factors in our genome,” says writer Florence Williams. “We are used to relegating heartbreak to cultural melodrama, like popular songs and romantic poetry. But heartbreak isn’t just melodrama. It’s one of the most painful life experiences we have and we need to take it seriously for our mental and physical health.” When Williams’s husband left her after 25 years, she felt “imperilled”. She was plodding through her days, managing to feed her kids and occasionally meet her deadlines as a science journalist, but constantly falling ill, getting thin, unable to sleep. At 50, she’d never experienced anything like it, this “disorienting sorrow, shame and peril”. Not only did she want to figure out what heartbreak was doing to her body, she wanted to work out how to get better. Would she be among the 15% of people who don’t recover after a major breakup? She set to work.

Annie Lord: It’s weird actually, a couple of times I’ve spoken to male friends for the column and quoted them [about why men might behave a certain way in dating]. And when they say stuff, I’m never satisfied with what they’re saying. Sometimes I feel I’m like, ‘no, I get you more than you get you,’ or ‘yeah, that’s not it.’ It just feels like the explanation a lot of men use for stuff feels very simple. Maybe they are simple but it feels like it can’t be that. But sometimes you are making yourself feel better via a very complex explanation for [men’s] actions that make out that you’re still hot and desirable, and they still want to have sex with you, and go out with you. It's just these external factors [preventing it]. I wonder how it feels for Williams, for her identity to have become so entwined with heartbreak and the very worst moments of her life. She loves it, she says. “I love that I’ve been able to help so many people, that I’ve helped make big emotions something we can feel a little more comfortable with. I absolutely believe vulnerability leads to connection and growth.” Through going deep into heartbreak she has found, she tells me, “a sense of purpose”. It’s a book about the best and worst of love: the euphoric and the painful, the beautiful and the messy.Broken heart syndrome’ can cause the heart’s left ventricle to change shape and get larger, weakening its muscle, meaning it doesn’t pump blood as well as it should Annie Lord: There is a weird thing that happens where something bad [in dating] happens and you’re already thinking about how you might write about them and your life feels like a story. It feels like not being in your life but seeing it as a spectator and recording it. I don’t feel embarrassed when I’m writing about myself because I’m a massive oversharer even in person, but it does affect how other people see me which is crap. I don’t want people to think I’m writing about them all the time. If men read the column they know what I think about so many things. It’s not very sexy because I can’t be mysterious. If you’re seeing a guy you want him to think you have loads of options, but that doesn’t work if he can read that you don’t. I think in the future I would still like to write about myself because I enjoy it but maybe it might be less dating-focused. That said, I’m obsessed with relationships and love. I think if I met the right person and they weren’t comfortable being written about I would give up the column, though that would be difficult because they’d probably say they were uncomfortable on about date three and I still wouldn’t know if I was going to fall for them enough to give it up? In your teens and early twenties, it feels like the career is the thing you should never give up on and nothing comes before that. Now I’m more established I think I could make something else happen if I didn’t have the column. Men are the disappearing, impossible thing now rather than work. Heartbreak is one of the most painful life experiences we have and we need to take it seriously for our mental and physical health’: science journalist Florence Williams. Photograph: Casie Zalud I think we don’t take the grief of heartbreak particularly seriously as a society, relative to how devastating it actually is. I noticed a lot of the literary references you cite in the book to express your feelings were originally written about grief as we traditionally understand it – linked to bereavement. Perhaps some will think that’s overdramatic. Do you think grief is the right framing for how a breakup feels? Confronting yourself in that way raises the question of whether you think there’s a risk in writing about relationships and dating when it necessarily involves interpreting men’s behaviour!

Arresting and vivid, raw and breathtaking…told with stunning originality’ DOLLY ALDERTON, author of EVERYTHING I KNOW ABOUT LOVE Finally, you’ve managed to make a success of writing about the highs and lows of love using your own life. Do you feel like you’ve chosen to avoid serious relationships for the sake of this writing? Do you foresee a point where you might stop? Heartbreak and rejection can trigger activity in the same area of the brain where physical pain is activated (the anterior insula and the anterior cingulate cortex) But it was reading about the science of heartbreak that had the biggest impact. “Saying, ‘I’m going through a breakup’ didn’t do what I was feeling justice. It felt too small, too ordinary.” So Lord sought out studies, learning things like, “The way your breathing adjusts to another person’s when you’re together for a long time, how in grief some people’s hearts really do break, or the fact that your brain craves that person the same way you would cocaine.”

Summary

Annie Lord tells us a story at once both specific and universal’ SHON FAYE, author of THE TRANSGENDER ISSUE Your brain craves that person the same way you would cocaine’: Annie Lord, author of Notes on Heartbreak. Photograph: Issey Gladston



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